CNF POEM

CREATIVE NONFICTION 

C-Create a true stories well told that
R-rich mix of flavors, ideas, and techniques, some of which are newly invented and others as old as writing itself
E-example of creative nonfiction are essay,
A-a journal article, a research paper, a memoir, or a poem; it can be personal or not, or it can be all of these are
T-the some of the types.
I-in the end, creative nonfiction can be as experimental as fiction—it just needs to be based in the real.
V-vividly,memorably, personality, subject or place and in an action the creative nonfiction writer will show all of this in scenes. 
E-extract meaning through factual details—they combine the fact of detail with the literary extrapolation necessary in rendering meaning from an observed scene of the writers.

N-narrative, focus on fact, leading to a bigger and more universal concept.
O-only books of regional interest, along with criticism and poetry, are actively seeking creative nonfiction titles these days.
N-narrative like a novel, or metaphorical like a poem is the style straightforward like a newspaper feature.
F-fiction writers insist that they too write the truth, and that they must invent in order to tell this truth.
I-it’s the meander through ideas and stories that make the work wonderful to read.
C-creative nonfiction of today can be overwhelming, but also freeing. 
T-The word “creative” has been criticized in this context because some people have maintained that being creative means that you pretend or exaggerate or make up facts and embellish details. 
I-It is focused on story, meaning it has a narrative plot with an inciting moment, rising action, climax and denouement, just like fiction.
O-other key element, the thing present in all successful 
N-nonfiction, is reflection.